What are creative trolls?
They are devastating faults that stick out like a sore thumb and spoil a painting. They pop out, not from the troll bridge, but stand out prominently in the picture and destroy the balance of the composition. You need to eliminate them before you start painting.
There are three obvious trolls discussed in this blog and how to fix them.
Can you spot the trolls in the Magaliesberg photo ?
Some years back we took a leisurely drive through the Magaliesberg Mountains on our way to Rustenburg. Coming across this scene we stopped and I hopped out the car and took this photo.
Then I was side tracked by guinea fowl grazing in the velt (grasslands). Guinea fowl are so fascinating with their bright odd-shaped blue heads and their distinctive black and white spotted wing and body feathers.
As you can see, having to zoom in so far, the photo of the guinea fowl didn’t come out so nice. But aren’t the contrast of colours in the photo beautiful?
Whenever I had the chance to see guinea fowl up close, I took photos of them thinking I would paint these guinea fowl in the photo with improved features, in a stunning abstract oil painting. However since then the demand for guinea fowl paintings has sadly diminished!!
By the way, the guinea fowl in the second photo weren’t trolls!
Getting back on track:
The photo of the Magaliesberg scene …has three creative trolls:
- Fences crossing in front of a painting’s composition are a no-no: Why? Because it blocks the way into the scene of the painting! People want to feel they can enter and stroll into a scene unhampered by fences, walls and closed gates.
- Roads and pathways going out of a scene is a no-no: Why? Physiologically: A road going towards the right side, leads the eye out of the painting!
- The stark directional power of neat outlines and contour edges of hills and mountains: Notice how the hillside on the left slopes sharply down to the right in the photo, giving the impression of sliding out the picture unhindered. It also causes an in-balance in the composition. That is a NO-NO troll.
So how do you fix that when you paint?
As to the fence or wall going across the composition:
- You can reduce the length and make a gap in the wall. Don’t show each and every brick and crevice. Change shapes and colour of bricks and add moss and disfigurement.
- Give the fence an uneven appearance and perspective: Stagger and change the angle and type of poles and posts. Reduce the amount of wires seen.
- Or remove the fence or wall altogether! This will simplify the composition and give your painting more impact.
As to roads and paths leading out of the composition:
- A road or path coming in from the left-side is a good thing. It leads the eye in the composition.
- To stop the eye wondering out of the painting’s composition, add a tree or something to block the way out of the picture.
- Give the road a purpose: Redirect the road toward the centre of the composition and towards the main objective, eg: view or house.
As to the sharp slope of a hill or mountain:
- Tilt the angle of the land, in this case up on the right-hand side of the composition.
- To balance the composition: Put taller trees or darken the trees’ value, on the right side. This helps to strengthen the composition and blocks the possibility of any eye exiting the picture.
- Neat clean contour edged along hills and mountains should be broken up with trees or blurred in places, depending on the situation. Another trick is to graduate values and colours with their adjacent areas.
Look forward to hearing from you:
What creative trolls do you have pestering your paintings? Let me know. Maybe I could suggest ‘vanishing cream’ or ‘zap spray’ to get rid of trolls. Ha, ha! No seriously, if you need help with painting compositions, feel free to ask me. Either email me (contact form in left sidebar) or if you are using a mobile device, put in your request in the comment form below.
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See page “Introduction to Photo Demos”
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